I’m no saint. I’m certainly no prude. I’ve been visiting cat houses—what the old timers call notch joints back in the States—since I was a teenager and Sig owned a few houses back in our Coney Island days. The professional ladies of pleasure know what they’re doing, and sometimes, on my loneliest nights in my dangerous life, when I miss Sophie so much I’m dizzy with longing, it takes a professional to do what needs doing. And I have a soft spot for the ladies. They and I have something in common: we make our living outside the Law, because the Law dealt both of us rigged hands. The Law says I’m a criminal just because I romance women. And the Law says it’s a crime for the ladies to decide what to do with their own flesh and bones.
I can’t kid myself, though. I know that “the life” can be risky. It’s not unusual for a Lady of Pleasure to have the “pleasure” beaten out of her by rough trade or a vicious pimp who gets his kicks by using her as a slave. The only freedom she can hope for is to grow old, discarded, and die. The idea that Sophie, my Sophie, is caught in such a life scares me to death.
And then there’s the filthy horror that sends its stench through all those other horrors, a scenario twisting me up so bad I can barely breathe: the thought of Sophie pawed over by sweaty tourists and needy locals not only breaks my heart, it makes me sick.
Sure, add hypocrite to my list of sins.
I soothe myself a little by believing that whoever took her would realize Sophie is a class act and would stow her in one of the town’s fancier, ultra-discreet joints catering to the island’s secretive aristocrats and moneyed clientele, the kind of places where the women aren’t batted around, and even protected from violent clients.
It’s been a long time since I was last in Havana and availed myself of its erotic pleasures. Considering the current power shifts in the local underworld, and those gang wars Lansky and Nilo talked about, the Who’s Who of the cat houses is probably not the same Who’s Who I dealt with ten years ago. As far as I know, nobody in the fancier fleshpots owes me any favors, and without an invitation from a regular client or someone else well connected, I can’t get into those joints, and I don’t even know where they are. I can’t get information about those places without help. But until that help comes, I’m on my own, with nowhere to look but the back rooms of bars, the fleabag hotels, and the streets.
Havana, 1952, a city throbbing with pleasure and danger, where the Mob peddles glamor to the tourists and there’s plenty of sex for sale. In the swanky hotels and casinos, and the steamy, secretive Red Light district of the Colón, Cantor Gold, dapper art thief and smuggler, searches the streets and brothels for her kidnapped love, Sophie de la Luna y Sol. Cantor races against time while trying to out run the deadly schemes of American mobsters and the gunsights of murderous local gangs.
Learn more about award-winning author, Ann Aptaker:
Native New Yorker Ann Aptaker has earned a reputation as a respected if cheeky exhibition designer and curator of art during her career in museums and galleries. Taking the approach that what art authorities find uncomfortable the public would likely enjoy, exhibitions Ann has curated have garnered favorable reviews in the New York Times, Art in America, American Art Review, and other publications.
She brings the same attitude and philosophy to her first love: writing, especially a tangy variety of historical crime fiction. Ann’s short stories have appeared in two editions (2003 and 2004) of the noir crime anthology Fedora. Her flash fiction story, “A Night In Town,” appeared in the online zine Punk Soul Poet. In addition to curating and designing art exhibitions and writing crime stories, Ann is also an art writer and an adjunct professor of art history at the New York Institute of Technology. (Publisher).