Exclusive Excerpt: Boystown 9: Lucky Days (The Boystown Series) by Marshall Thornton

Blurb:

In the ninth book of the bestselling mystery series, a young man wakes up covered in blood and no memory of the previous night. When hypnotism doesn’t help, he turns to private investigator Nick Nowak. Meanwhile, the trial of Outfit kingpin Jimmy English begins. Quickly the case begins to unravel when an important witness goes missing and Nick must put his other cases, and his home life, on hold while he goes to Las Vegas to find him.

 

Excerpt:

Jimmy’s trial was held in one of the larger courtrooms on the sixth floor of Cook County Courthouse. The room was lined in a light, polished stone, which might have matched the outside of the building if they managed to sandblast off the few decades of grime that clung to the building. There were four very large windows to the right as you walked in. The ceiling was made up of painted wooden beams with flat fluorescent lights in each of the boxes the beams formed. The jury sat opposite the windows in sixteen leather armchairs that swiveled but were bolted to the floor—they could see everything, but were denied the right to pick up their seat and throw it. An aisle separated the twelve jurors from the four alternates.

The judge’s bench was raised and looked down at the rest of the room. Next to it was a witness box on one side, and a recorder’s station on the other. Almost in the center of the room was a long table where the prosecution would sit while they presented their case; the defense would sit at another long table along the side of the room, looking straight at the jury. Mid-trial, when it was the defense’s turn to present their case, we would change positions. There were flags hanging from tall poles behind the judge, and brass embellishments running around the room near the ceiling—my bet was they had something to do with justice and that no one ever really looked at them.

The spectators would be sitting in sixteen oak pews, eight rows deep, and one pew on each side of the courtroom with an aisle in the center. The first pew on each side was designated for the defense and the state’s attorney. I wouldn’t be sitting there, though. I would be sitting in one of four chairs that lined the wall behind the defense table.

When I arrived that morning Jimmy was already there, seated at the defense table but pushed back a few feet, resting his hands on his cane. He’d aged quite a bit in the few years I’d known him. I can’t imagine the stress of a criminal investigation is good for the skin; his was pale and thin as plastic wrap. Standing near him were Nathan Babcock—fiftyish, tall, patrician, neatly groomed—and Owen Lovejoy, Esquire—shortish, stocky wearing an expensive suit and over-large tortoiseshell glasses. We’d been friends for a couple of years and I was fairly certain he was a better lawyer than Babcock. It was unlikely he’d ever be put in front of a jury, though, since he had a tendency to flutter his hands about, overemphasize his S’s, and call other men ‘darling.’ Jurors who took against a defense attorney were likely to convict regardless of guilt or innocence.

I took my seat against the wall, placing the two boxes of documents I had at the ready on the seat next to me. On the other side of the boxes was a woman in her early sixties, Nathan Babcock’s secretary. She, too, was there in case of emergency. She didn’t bother to say hello to me, so I didn’t bother to say hello to her.

Mrs. Barnes, as I later learned she was called, probably judged me as insignificant based on what I wore. I had on my old corduroy jacket. I’d had it dry-cleaned, but it still looked like it had been run over by a semi. Beneath the jacket I had on a white Oxford shirt, a plaid woolen tie, 501s and brown, Florsheim penny loafers. I should have upgraded my wardrobe. I certainly had enough money to, it’s just that every time I went into Marshall Field’s or Carson, Pirie, Scott all the clothes seemed designed for either East Coast bankers with a penchant for weekend golf or some costumer’s idea of which pastel an undercover cop might wear in Miami.

At the State’s table, Linda Sanchez stood with two other ASAs. She was raven-haired and dark-eyed. She wore a blue pin-striped suit over a cream-colored blouse that boasted a big floppy bow around her neck. On her feet, she wore a pair of Nikes, which she eventually traded for a pair of conservative, two-inch heels she carried in her briefcase. The two other ASAs were men. One was forty and doughy, and even from twenty feet away I could see he resented Sanchez, who was clearly in charge. The other ASA was Tony Stork.

Tony was around thirty, tall, lanky, with an upper crust North Shore look to him. He had sand-colored hair and dark eyes rimmed with thick lashes. I was surprised to see him on their team. A few years before, he’d prosecuted a guy named Campbell Wayne, who tried to throw me in front of a CTA train. He’d also given me a memorable blow job in an empty interview room. Since I’d also dallied with Owen Lovejoy, Esquire, that meant I’d had sex with lawyers on each side of the aisle. I decided it might not be good to spread that information around.

 

As it neared ten, the pews filled. A good number of the spectators seemed to be press, but there were also a few other people I recognized. Lydia Agnotti was there sitting in a pew near the back. She was Jimmy’s granddaughter. We’d met when she’d tricked her brother into killing their stepfather. Her brother was now in prison, while she roamed the streets.

Sliding into the front pew were Beverly Harlington and Rose Hansen. Beverly was Lydia’s mother, whose first husband was Jimmy’s deceased son—Lydia didn’t happen to have anything to do with his death. Rose was Jimmy’s daughter. She and Beverly were more appropriately dressed for afternoon tea than court. On the other side of the room, looking somber and determined, was Deanna Hanson with her much older boyfriend, Turi Bova. I have to say, with all of Jimmy’s family there it looked more like a custody case than a mob trial.

Aside from the press and the family, there were a couple of other middle-aged men who looked like they might be members of the Outfit: their dark polyester slacks, golf shirts, windbreakers and Italian shoes were dead giveaways. At the top of Jimmy’s food chain was a man called Doves. My guess was that these guys would be bringing Doves the news of the day.

I didn’t understand why Rose and Deanna were there. They were both going to be witnesses and I doubted they’d be testifying on the first day, so I wondered what made them think they’d be able to remain in the courtroom. When I was on the job I’d had to testify about a dozen times. Each time I’d had to wait in the hallway until I was called. I didn’t know why Rose and Deanna thought they’d be entitled to watch the trial, other than the fact that they felt entitled in general.

A bailiff walked into the court from the back; a red-haired woman wearing a khaki and green uniform. In her late forties, she had very large breasts jutting out, making me wonder if she even knew there was a walkie-talkie and gun on her belt.

“Please rise.”

We did.

“Cook County Criminal Court is now in session. The Honorable Judge Martin Corbin presiding.”

Next came a meek looking court reporter in a brown dress with a white lace collar. Behind her, Judge Corbin in his black robes. He was in his late fifties, with thinning white hair and a puffy face. Once he got situated behind the bench he said, “Please be seated.”

We sat.

The judge looked around and then said, “This is State of Illinois v. Giovanni Agnotti. Is that correct?”

ASA Sanchez and Nathan Babcock each stood and said, “Yes, your honor.”

“I like to make sure. Cousin of mine went into the hospital to have a testicle removed. They took the wrong one. Now he has none. I wouldn’t like to come to work in the morning and hear the wrong case.”

It was a crazy thing to say. Most of the people in the room didn’t know whether to laugh or not. Certainly, Jimmy’s team was confused. The ASAs, though, they knew to laugh and were putting on a show of it. Judge Corbin looked pleased with the response he got. I wondered if he began every trial with this same joke.

“Before we begin jury selection, are there motions?”

ASA Sanchez stood up and motioned that witnesses be excluded from the courtroom. “With the exception of Mr. Agnotti’s family members, of course.”

Since Rose and Deanna were witnesses for the state’s attorney, I fully expected Nathan Babcock to object and ask that they be excluded. Instead, he stayed seated and said, “No objections, your honor.”

I was surprised by that, but from the look on her face not as much as ASA Sanchez. For a moment, I thought she might jump up and say, “Oh no, your honor, never mind.”

The judge announced that jury selection was going to begin. The bailiff went to get the first round of sixteen jurors to be questioned. Owen looked over his shoulder then pushed his chair back to me.

“Have you spent much time in a courtroom?” he asked.

“A bit.”

“We’re not expecting this to go more than two weeks. Maybe less.”

“What about Devlin? Will you be able to talk about him?” In my opinion, the best defense for Jimmy would be to focus on Devlin and his creative ways of gathering confessions. Beating the crap out of witnesses tends to make their testimony inadmissible.

“There was a motion to suppress two weeks ago. I guess we’d call it a draw. We can’t bring him up, but it’s impossible to keep him completely out since he interviewed most of their witnesses.”

“So you won’t be calling me?” Devlin was responsible for pretty much all of my recent injuries. I would have loved to testify about him.

“No,” Owen said. “We can’t put you on the stand or present testimony about Devlin’s prosecution.”

“Will they be calling him to testify?”

“No. The first question is always name and address. If he didn’t say Cook County Jail he’d be perjuring himself and if he tells the court where he currently lives we get to ask why.”

“So this is going to boil down to how much you can get in about Devlin without asking questions about Devlin.”

He gave me a devilish smile. “Darling, you should have been a lawyer.”

When the prospective jurors got settled, the judge told the attorneys they could begin. Sanchez and Babcock took turns asking bland questions like, “Do you think you can be impartial?” Occasionally, Sanchez would ask a juror how they felt about police officers. If she didn’t like the answer she’d dismiss the juror. Babcock asked a similar question about the restaurant business and let go of a couple of jurors who’d once been waitresses. It was all pretty obvious stuff.

While I sat there, I wondered exactly what was going on. The most damning evidence against Jimmy would come from his granddaughter, Deanna. She’d been informing on him for more than a year, providing Operation Tea and Crumpets—the task force investigating Jimmy—with a journal that detailed Jimmy’s activities for nearly thirty years. Keeping something like a journal was a stupid idea, but Jimmy admitted to me that he’d done just that. Then, when I finally got to look at a much-copied Xerox in discovery, I’d realized there was no way Jimmy had written the journal. The handwriting was wrong. So, he’d lied to me. What I hadn’t figured out was, why?

The case began to crumble when it became obvious that Devlin was a bad cop. The Feds dropped it like a hot potato, but ASA Sanchez persisted. I had an inkling she thought the publicity could only be good for her career. What I didn’t understand was the defense. Why hadn’t they insisted the handwriting in the journal be compared to Deanna’s? At this point, given the weakness of the prosecution’s case, just suggesting that Deanna had written the journal herself might have been enough to get them to drop the charges.

Of course, Jimmy could simply be protecting Deanna. Providing false evidence was a crime, as was lying to federal agents. Conceivably, she could spend half a decade in prison. Was Jimmy counting on his expensive lawyers to get him off without exposing his granddaughter’s lies? I’d known Jimmy for a while. That seemed like something he’d do. I knew family was important to him. His grandson was in prison; I doubted he wanted any more of his grandchildren to end up there.

Jury selection took a bit more than two hours. Once the jury was empanelled, Judge Corbin gave them a little speech.

“This is my courtroom. I make the rules here and what I say goes. You’ll note that the state attorneys or the defense attorneys will often object to my decisions. In fact, they will likely try to influence you by the objections they make. Don’t let them.”

He stopped to give both sides in the case a dirty look.

“This is an important trial that has garnered interest from the local press. You are not to read any of the articles written about the trial or watch any news programs that include stories about the trial. If at any time I think any one of you has ignored these instructions I will sequester you all.”

Now he gave the jurors a dirty look.

“There’s something I want to make very clear to all twelve of you jurors and also the four alternates. At this moment in time, Giovanni Agnotti is innocent.” I watched ASA Sanchez flinch when he said it. “He’s innocent because in the American system we are all innocent until proven guilty. The fact that Ms. Sanchez believes she can prove that Mr. Agnotti is guilty does not make it so. He is innocent until the state proves to you he is not. And on that note, we should break for lunch. We will reconvene at two-thirty.”

It wasn’t quite one. We had nearly two hours before court began again. Not enough time to go back to the office, but enough time to get really bored. Rose and Beverly were already hovering around Jimmy—from the comments they made it seemed as though Jimmy’s driver was going to drive them somewhere “decent” for lunch. Babcock seemed to be tagging along, though I wasn’t sure I had an invitation. When the party began to walk out of the courtroom, I noticed Lydia Agnotti hovering nearby. She was pointedly ignored by her mother and her aunt; Jimmy may have nodded at her, but I couldn’t be sure.

When they’d walked completely out of the courtroom, Lydia turned and glared at me. My exposing her as the one truly responsible for her stepfather’s death had caused the estrangement with her family, so we weren’t exactly friends.

I’m not sure, but she may have hissed at me.

Guest Blog: The Boystown Mysteries author Marshall Thornton chats about writing the series

Boystowncollection

I first discovered Marshall Thornton’s Boystown series in the summer of 2013 – long after he’d originally published the first four novels; Boystown: Three Nick Nowak Mysteries, Boystown 2: Three More Nick Nowak Mysteries, Boystown 3: Two Nick Nowak Novellas and Boystown 4: A Time for Secrets. By the time of the release of Boystown 4, I had become familiar with Marshall’s mysteries, and decided to start at the beginning since the first full-length novel of the series had caught my attention. About this same time, Marshall had begun to release the first few books in the series via Audiobook, narrated by the incredible Brad Langer, and offered to me a promo-copy of Boystown 2 to review. Through Marshall’s words, Brad Langer made quirky, tough, rough around the edges, at times jaded, former Chicago cop turned private detective, Nick Nowak come to life, and I eagerly await each novel’s release in the series.

LammySeal-actualsize_2013-e1377558848107

Boystown 7

I got to interview Marshall for my Gay Mystery-Thriller-Suspense Fiction Facebook group in 2013 and reposted the interview in January 2016 with updates (interview), have written numerous reviews of both his novels & audiobooks, and got to finally such a warm, sweet man in person when we both attended a Mystery Writer’s of America seminar in Atlanta a couple years ago. Numerous novels in the Boystown series have been finalists for the prestigious Lambda Literary Award. Boystown 7: Bloodlines actually won the Lammy for Best Gay Mystery this year at the 28th Annual Lambda Literary Awards.

There is so much more I’d love to share about Marshall and Nick Nowak, but instead of rambling on, I thought I’d share a recent blog post that says everything I would want and more. You can read it below.

How Far Will I Go?

Guest Blog by Marshall Thornton

Reposted with permission; originally posted February 24, 2016

One of the questions I get a lot about the Boystown series is, “How many books will there be?” Of course, since the question is about the future the most honest answer is, “I don’t know.” But at the same time, how many books to write and where to leave Nick Nowak is something I think about and obviously something that interests my readers so I thought I’d put down a few thoughts…

Typically, as I finish one book I get ideas about the next one. Boystown 8: The Lies That Bind came out a few days ago and I already have about fifteen percent of Boystown 9: Lucky Days written in the form of notes and first draft scenes. This is important as I have to keep track of the mystery arc in books 7-9 about Jimmy English, and of course the ongoing lives of the recurring characters. I imagine if I finish one of the books and have no ideas, or very few ideas, about the next book I’ll know that the end has arrived.

boystown8

The first eight books cover the period from January 1981 through August 1984. I definitely want to do two more books set in 1984 and have one in mind for 1985. That would bring me up to eleven—Joseph Hansen, one of my idols, did twelve in his series. I hope that I’ll write more than eleven. I wouldn’t mind getting all the way to nineteen or twenty like Michael Connelly, another of my idols. It would be nice to take the books all the way to the first glimmers of hope in the AIDS epidemic, but that wasn’t until the mid-nineties, which right now is a long way off.

As a gay man who lived through the eighties there are so many stories from that period I feel I can tell. So many stories I think are still important. One of the most satisfying aspects of writing this series has been collecting the little bits of real life that I remember from that period and weaving them into the mysteries. Quite a few of the characters and situations I’ve touched on in the stories come from people I knew during the period, in many cases people who can no longer speak for themselves. Collecting those stories matters to me a great deal on a very personal level.

There are many ways to classify the Boystown series. I think it would be fair to include it as AIDS literature. Most of AIDS literature took place in the eighties and nineties, and most of it was a cry for help, a warning bell rung as loudly as possible. Writing about AIDS from this vantage point is a very different experience. I’m able to focus on the way very real people reacted to the crisis. Knowing that things improve, allows me to focus on the ways in which individuals reacted, sometimes heroically, sometimes not. Of course, AIDS is still an issue. It hasn’t gone away. Reminding people of how it began and how we got to where we are is something I find to be vital.

I think if the Boystown series were a romance series with mystery elements—as opposed to being the opposite of that—I would have would have stopped at two or three books as I find manufacturing “conflict” in a happy couple uninteresting. Some writers do it well; I don’t think I’m one of them. Several of the Boystown books have ended in a happy-for-now kind of way, but if Nick ever finds a truly happy ending it will likely mean the end of the series.

Boystown 1 Cover 2nd Edition2Boystown 4 Cover 2nd Edition2Boystown 5 Cover 2nd Edition2

An important indicator of whether a writer should keep writing a series is sales. Not for financial reasons—certainly many writers do well writing multiple series of three or four books—but because each sale represents one or more readers. The last year has been very positive for the Boystown series. Boystown 7: Bloodlines opened better than any of the previous books, and even though it’s only been a few days it looks as though this year’s book is on tract to exceed that. Equally important is that last year the first book in the series actually sold more copies than it had since it was published five years before. The audience is finding the books and I’m so happy about that. With all of that said, I’d like to send out a big thank you to all who’ve bought and supported the series over the years. It means a lot.

Cover Preview – Coming early 2017 – Boystown 9: Lucky Days

Boystown 9

Website:

https://marshallthorntonauthor.com/

Guest Blog: Author of the very Popular Boystown Mysteries, Marshall Thornton

Boystowncollection

I first discovered Marshall Thornton’s Boystown series in the summer of 2013 – long after he’d originally published the first four novels; Boystown: Three Nick Nowak Mysteries, Boystown 2: Three More Nick Nowak Mysteries, Boystown 3: Two Nick Nowak Novellas and Boystown 4: A Time for Secrets. By the time of the release of Boystown 4, I had become familiar with Marshall’s mysteries, and decided to start at the beginning since the first full-length novel of the series had caught my attention. About this same time, Marshall had begun to release the first few books in the series via Audiobook, narrated by the incredible Brad Langer, and offered to me a promo-copy of Boystown 2 to review. Through Marshall’s words, Brad Langer made quirky, tough, rough around the edges, at times jaded, former Chicago cop turned private detective, Nick Nowak come to life, and I eagerly await each novel’s release in the series.

Boystown 7

I got to interview Marshall for my Gay Mystery-Thriller-Suspense Fiction Facebook group in 2013 and reposted the interview in January 2016 with updates (interview), have written numerous reviews of both his novels & audiobooks, and got to finally such a warm, sweet man in person when we both attended a Mystery Writer’s of America seminar in Atlanta a couple years ago. Numerous novels in the Boystown series have been finalists for the prestigious Lambda Literary Award. Boystown 7: Bloodlines is being considered in the Gay Mystery category this year as well. Finalists for the 28th Annual Lambda Literary Awards is expected to be announced any day now. Good luck, Marshall!

There is so much more I’d love to share about Marshall and Nick Nowak, but instead of rambling on, I thought I’d share a recent blog post that says everything I would want and more. You can read it below.

How Far Will I Go?

Guest Blog by Marshall Thornton

Reposted with permission; originally posted February 24, 2016

One of the questions I get a lot about the Boystown series is, “How many books will there be?” Of course, since the question is about the future the most honest answer is, “I don’t know.” But at the same time, how many books to write and where to leave Nick Nowak is something I think about and obviously something that interests my readers so I thought I’d put down a few thoughts…

Typically, as I finish one book I get ideas about the next one. Boystown 8: The Lies That Bind came out a few days ago and I already have about fifteen percent of Boystown 9: Lucky Days written in the form of notes and first draft scenes. This is important as I have to keep track of the mystery arc in books 7-9 about Jimmy English, and of course the ongoing lives of the recurring characters. I imagine if I finish one of the books and have no ideas, or very few ideas, about the next book I’ll know that the end has arrived.

boystown8

The first eight books cover the period from January 1981 through August 1984. I definitely want to do two more books set in 1984 and have one in mind for 1985. That would bring me up to eleven—Joseph Hansen, one of my idols, did twelve in his series. I hope that I’ll write more than eleven. I wouldn’t mind getting all the way to nineteen or twenty like Michael Connelly, another of my idols. It would be nice to take the books all the way to the first glimmers of hope in the AIDS epidemic, but that wasn’t until the mid-nineties, which right now is a long way off.

As a gay man who lived through the eighties there are so many stories from that period I feel I can tell. So many stories I think are still important. One of the most satisfying aspects of writing this series has been collecting the little bits of real life that I remember from that period and weaving them into the mysteries. Quite a few of the characters and situations I’ve touched on in the stories come from people I knew during the period, in many cases people who can no longer speak for themselves. Collecting those stories matters to me a great deal on a very personal level.

There are many ways to classify the Boystown series. I think it would be fair to include it as AIDS literature. Most of AIDS literature took place in the eighties and nineties, and most of it was a cry for help, a warning bell rung as loudly as possible. Writing about AIDS from this vantage point is a very different experience. I’m able to focus on the way very real people reacted to the crisis. Knowing that things improve, allows me to focus on the ways in which individuals reacted, sometimes heroically, sometimes not. Of course, AIDS is still an issue. It hasn’t gone away. Reminding people of how it began and how we got to where we are is something I find to be vital.

I think if the Boystown series were a romance series with mystery elements—as opposed to being the opposite of that—I would have would have stopped at two or three books as I find manufacturing “conflict” in a happy couple uninteresting. Some writers do it well; I don’t think I’m one of them. Several of the Boystown books have ended in a happy-for-now kind of way, but if Nick ever finds a truly happy ending it will likely mean the end of the series.

Boystown 1 Cover 2nd Edition2Boystown 4 Cover 2nd Edition2Boystown 5 Cover 2nd Edition2

An important indicator of whether a writer should keep writing a series is sales. Not for financial reasons—certainly many writers do well writing multiple series of three or four books—but because each sale represents one or more readers. The last year has been very positive for the Boystown series. Boystown 7: Bloodlines opened better than any of the previous books, and even though it’s only been a few days it looks as though this year’s book is on tract to exceed that. Equally important is that last year the first book in the series actually sold more copies than it had since it was published five years before. The audience is finding the books and I’m so happy about that. With all of that said, I’d like to send out a big thank you to all who’ve bought and supported the series over the years. It means a lot.